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dambam asammṛṣstâmalâmbaram । aprasāditaśuddhâmbu jagad āsīn
manoharam (Dandin; the cause of these paradoxical phenomena is
the autumn weather: "The geese are intoxicated without having
drunk, the sky is clear without having been cleaned, the waters are
pure and have not been ven grace: the world is so lovely!"). (4)
"My tale was heard, and yet it was not told; / My fruit is fall'n,
and yet my leaves are green; / My youth is spent, and yet I am not
old" (Chidock Tichborne; written just before his execution at the
age of twenty-eight). (5) See svābhāvika.
GLOSSARY
svābhāvika(tva), 'natural(ness)': (1) a type of vibhāvanā in which the
nature of the thing so described is implied as the explanation of the
seeming contradiction. (2) D 2.199 (201), AP 344.28, R. 9.20 (21).
(3) anañjitásitā dṛṣṭir bhrūr anāvarjitā natā । arañjito'ruņaś câyam
adharas tava sundari (Daṇḍin; her anger is the "cause" of her parad-
oxical appearance; she doesn't love him: "Your glance is dark
without eyeshade, your brow is arched with no one bending it,
your lip is full colored and not a touch of lipstick"). (4) "Lo, lo!
how brave she decks her bounteous bower, / With silken curtains
and gold coverlets, / Therein to shroud her sumptuous belamour, /
Yet neither spins nor cards, nor cares nor frets, / But to her mother
Nature all her care she lets" (Edmund Spenser; the lilies bloom
"naturally"). (5) See käraṇântara.
virodha
virodha, 'contradiction': (1) a figure in which contradictory properties
are expressed of the same subject; the affirmation of the excluded
middle. (2) B 3.24 (25), D 2.333-39, V 4.3.12, U 5.6, AP 344.28, R
9.30-44, M 166-67. (3) upāntarūḍhôpavanacchāyāśītâpi dhūr asau ।
vidūradeśān api vaḥ samtāpayati vidviṣaḥ (Bhāmaha; the king's
"cool" sovereignty inflames his enemies: "The royal sovereignty,
cool in the shade of the city's environing groves, consumes his
enemies, though they be in a distant land"). (4) "I find no peace,
and all my war is done; / I fear and hope, I burn, and freeze like
ice; / I fly aloft, yet can I not arise; / And nought I have, and all
the world I seize on" (Sir Thomas Wyatt; "Description of the con-
trarious Passions in a Lover"). (5) This figure is elaborately catalo-
gued by Rudrața, probably following Dandin's sketchy and un-
named sixfold division, into fourteen types based on the common-
place distinction jāti, guna, kriya, dravya (genus', 'attribute', 'act',
'substance"). (Rudraţa asserts, however, that one of the fourteen
dambam asammṛṣstâmalâmbaram । aprasāditaśuddhâmbu jagad āsīn
manoharam (Dandin; the cause of these paradoxical phenomena is
the autumn weather: "The geese are intoxicated without having
drunk, the sky is clear without having been cleaned, the waters are
pure and have not been ven grace: the world is so lovely!"). (4)
"My tale was heard, and yet it was not told; / My fruit is fall'n,
and yet my leaves are green; / My youth is spent, and yet I am not
old" (Chidock Tichborne; written just before his execution at the
age of twenty-eight). (5) See svābhāvika.
GLOSSARY
svābhāvika(tva), 'natural(ness)': (1) a type of vibhāvanā in which the
nature of the thing so described is implied as the explanation of the
seeming contradiction. (2) D 2.199 (201), AP 344.28, R. 9.20 (21).
(3) anañjitásitā dṛṣṭir bhrūr anāvarjitā natā । arañjito'ruņaś câyam
adharas tava sundari (Daṇḍin; her anger is the "cause" of her parad-
oxical appearance; she doesn't love him: "Your glance is dark
without eyeshade, your brow is arched with no one bending it,
your lip is full colored and not a touch of lipstick"). (4) "Lo, lo!
how brave she decks her bounteous bower, / With silken curtains
and gold coverlets, / Therein to shroud her sumptuous belamour, /
Yet neither spins nor cards, nor cares nor frets, / But to her mother
Nature all her care she lets" (Edmund Spenser; the lilies bloom
"naturally"). (5) See käraṇântara.
virodha
virodha, 'contradiction': (1) a figure in which contradictory properties
are expressed of the same subject; the affirmation of the excluded
middle. (2) B 3.24 (25), D 2.333-39, V 4.3.12, U 5.6, AP 344.28, R
9.30-44, M 166-67. (3) upāntarūḍhôpavanacchāyāśītâpi dhūr asau ।
vidūradeśān api vaḥ samtāpayati vidviṣaḥ (Bhāmaha; the king's
"cool" sovereignty inflames his enemies: "The royal sovereignty,
cool in the shade of the city's environing groves, consumes his
enemies, though they be in a distant land"). (4) "I find no peace,
and all my war is done; / I fear and hope, I burn, and freeze like
ice; / I fly aloft, yet can I not arise; / And nought I have, and all
the world I seize on" (Sir Thomas Wyatt; "Description of the con-
trarious Passions in a Lover"). (5) This figure is elaborately catalo-
gued by Rudrața, probably following Dandin's sketchy and un-
named sixfold division, into fourteen types based on the common-
place distinction jāti, guna, kriya, dravya (genus', 'attribute', 'act',
'substance"). (Rudraţa asserts, however, that one of the fourteen