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Translation:
 
The whole world is born from You.
 
The whole world stands because of You.
The whole world will end in you.
 
The whole world will come back to you.
You are the earth, water, fire, wind and sky.
You are the four stages of speech.
 
Ganesha is in reality the Absolute Spirit which is the
source of all creation, the essence of all knowledge. He
combines in Him the three aspects of creation, preser-
vation and destruction. The universe is composed of the
five elements (Panchamahābhūta) and the same are the
constituents of Ganesha. Ganesha is also the embodiment
of the four stages of speech - parā, pashyanti, madhyamā
and vaikhari. The first three stages are the media of
expression before the last one of speech starts. These are
developed by the upward ascent of the Kundalini through
the various chakras or seats of perception or places of
consciousness¹7. The Kundalini is described as the coiled
serpent lying dormant in the Muladhara Chakra. Its up-
ward ascent through the various Chakras denotes the
spiritual development of the personality. The seat of the
'para' is the naval, the 'pashyanti' the heart, and the
'Madhyama the throat. The pelvic plexus corresponds to
the Muladhara Chakra; the solar plexus or abdominal brain
to the Swadhishthana Chakra, the naval to the Manipur
Chakra, the heart to the Anahat Chakra, the throat to the
Vishuddha Chakra, the optic thalmus or the space between
the eyebrows to the Agnya. Chakra, and the brain to the
Sahasrara Chakra. Anatomically the Muladhara Chakra is
near the organs of generation. The Swadhishthana Chakra
is the biggest Chakra and surrounds the cardiac ganglia and
cardiac artery at its source; the Anähat Chakra corresponds
to the cardiac plexus behind the heart and in front of the
fifth and sixth spinal discs; The Vishuddha Chakra to the
cervical plexus between the second and third spinal discs;
the Agnya Chakra to the optic thalmus or the popularly
known Third Eye; and the Sahasrara Chakra to the medula
oblangata or the seat of reason in the brain¹7.
 
7
 
POV