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scattered throughout the Paurānic literature. The most
important of these stotras are the Sahasranāmas of Devī,
VIII
scattered throuishnu and Śiva.
When we speak ghout theenerally of the Sahasranāmas, they
refer only to the Sahasranāmas of the above mentioned
Deities which are found in the Mahābhārata and in the
eighteen principal Pauranic literatureurānas of Vyāsa. The most
important of these stotras are there are also
hymns of this sort found in some of the Āgamas; but
these are not recognised as authoritative by sects other than
those to whom the particular Āgama especially belongs.
The Vishnu Sahasranamas of Devi,
Vishnu and Siva.
When we speak generally of the Sahasranamas, they
refer only to the Sahasranamas of the above mentioned
Deities which are found in the Mahabharata and in the
eighteen principal Puranas of Vyasa. There are also
hymns of this sort found in some of the Agamas; but
these are not recognised as authoritative by sects other than
those to whom the particular Agama especially belongs.
The Vishnu Sahasranaāma, containing 142 verses, is
extracted from theAnusaĀnusāsanika Parva in the 149th
Chapter of the Mahabhaābhārata, in the dialogue between
Bhiīshma and Yudhishtira.
It is held in great veneration all over India, from Cape
Comorin to the Himalayas and is recited by persons of all
stations in life, by the prince and the peasant, by the
ālayas and is recited by persons of all
stations in life, by the prince and the peasant, by the
ignorant devotee and the fortunate Yogin, on every occasion
of joy or sorrow, fear or hope. Miraculous virtues
are attributed to it and are assured by the author Vyasa
himself.
THE METHOD OF REPEATING THIS HYMN
The ancient custom, still observed in the village parts,
especially of the South, is to repeat each name of the
Sahasranaāma, offering Tulasi petals or any available flowers
of the season before the idol of Vishnu in his various
incarnations of Raāma, Krishna, etc. This is done for the
fulfilment of one's desires, or to ward off the evil influence
of planets. Many merely repeat the whole book sitting
before the idol with Bhasma (sacred ashes) in a plate by
The number of the Chapter is differently given in some
commentaries and in some manuscripts, e.g., Parăsara Bhatta.
important of these stotras are the Sahasranāmas of Devī,
V
scattered throu
When we speak g
refer only to the Sahasranāmas of the above mentioned
Deities which are found in the Mahābhārata and in the
eighteen principal P
important of these stotras are the
hymns of this sort found in some of the Āgamas; but
these are not recognised as authoritative by sects other than
those to whom the particular Āgama especially belongs.
The Vishnu Sahasran
Vishnu and Siva.
When we speak generally of the Sahasranamas, they
refer only to the Sahasranamas of the above mentioned
Deities which are found in the Mahabharata and in the
eighteen principal Puranas of Vyasa. There are also
hymns of this sort found in some of the Agamas; but
these are not recognised as authoritative by sects other than
those to whom the particular Agama especially belongs.
The Vishnu Sahasrana
extracted from the
Chapter of the Mah
Bh
It is held in great veneration all over India, from Cape
Comorin to the Him
stations in life, by the prince and the peasant, by the
stations in life, by the prince and the peasant, by the
ignorant devotee and the fortunate Yogin, on every occasion
of joy or sorrow, fear or hope. Miraculous virtues
are attributed to it and are assured by the author Vyasa
himself.
THE METHOD OF REPEATING THIS HYMN
The ancient custom, still observed in the village parts,
especially of the South, is to repeat each name of the
Sahasran
of the season before the idol of Vishnu in his various
incarnations of R
fulfilment of one's desires, or to ward off the evil influence
of planets. Many merely repeat the whole book sitting
before the idol with Bhasma (sacred ashes) in a plate by
The number of the Chapter is differently given in some
commentaries and in some manuscripts, e.g., Parăsara Bhatta.