सुभाषितनीवी /14
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<page>
<p lang="en">X
</p>
<p lang="sa">Further in the commentary Ratnapetika, we meet
as applied to this Prince
</p>
<p lang="sa">with the epithet
</p>
<p lang="sa">If this be correct, we are led to suppose that Rajamundry
was under the authority of the Venkatagiri Rajas at the
time of composition of the Subhashitanivi. This poem
cannot in that case he later than 1340 A.C., as the Reddi
rulers took possession of the country about that year.
Considering, however, the style and matter of the work, I
am inclined to place it between 1310 A.C. and 1320 A.C.
The poem (fat), small as it is, is a masterpiece
of didactical composition, and deserves to become a com-
mon quotation. The author''s main object here is to in-
culcate moral and philosophical ideas in one and the same
culcate moral and philosophical ideas in one and the same
stanza by paronomasia () or allegory (¾¶). The
style is dignified and the ideas are sublime, though in one
or two places the descriptions may not seem quite suited
to the taste of a fastidious critic. The author is generally
fond of the Panchali style though there is a tendency
at times towards the Gaudi. The case with which
our poet introduces the reader to philosophical maxims is
</p>
<p lang="sa">$In the Rasarnavasudhakara it is said that their kingdom
extended from the Vindhya to Srisaila (in Karnul),with Rajachalam
as capital.
</p>
</page>
<p lang="en">X
<p lang="sa">Further in the commentary Ratnapetika, we meet
as applied to this Prince
<p lang="sa">with the epithet
<p lang="sa">If this be correct, we are led to suppose that Rajamundry
was under the authority of the Venkatagiri Rajas at the
time of composition of the Subhashitanivi. This poem
cannot in that case he later than 1340 A.C., as the Reddi
rulers took possession of the country about that year.
Considering, however, the style and matter of the work, I
am inclined to place it between 1310 A.C. and 1320 A.C.
The poem (fat), small as it is, is a masterpiece
of didactical composition, and deserves to become a com-
mon quotation. The author
culcate moral and philosophical ideas in one and the same
culcate moral and philosophical ideas in one and the same
stanza by paronomasia () or allegory (¾¶). The
style is dignified and the ideas are sublime, though in one
or two places the descriptions may not seem quite suited
to the taste of a fastidious critic. The author is generally
fond of the Panchali style though there is a tendency
at times towards the Gaudi. The case with which
our poet introduces the reader to philosophical maxims is
<p lang="sa">$In the Rasarnavasudhakara it is said that their kingdom
extended from the Vindhya to Srisaila (in Karnul),with Rajachalam
as capital.
</page>