पवनदूतम् /23
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प्रजागरात् खिलौभूतस्तस्याः स्वप्ने समागमः ।
Abhijñānas'akuntala VI. 22.
कष्टात् कष्टं पुनरिदमही स्वप्रसतदूती
निद्राष्यस्याः चणमपि न यन्नेव सोमानमेति ॥
Pavana. 81.
गत्युत् कम्पादलकपतितैयंत्र मन्दारपुष्प :
पत्रच्छेदैः कनककमलैः कर्णविभ्रंशिभिश्च ।
मुक्ताजालैः स्तनपरिसरच्छिन्नसूत्रैश्च हारे
शो मार्ग : सवितुरुदये सूच्यते कामिनीनाम् ॥
Megha, II. 11.
भ्राम्यन्तीनां तमसि निविड़े वल्लभाकाङ्क्षिणीनां
लाक्षारागाश्चरणगलिताः पौरसीमन्तिनोनाम् ।
रक्ताशोकस्तवक ललितै बलभानोर्मयूखे
र्नालच्यन्ते रजनिविगमे पौरमार्गेषु यत्र ॥
The story of the Pavanadūta :-
Pavana 43.
The Pavanaduta describes how a Gandharva damsel
Kuvalayavati by name living on the Malaya hills fell in love
with king Lakṣmaṇasena of Gauḍa (Bengal) when the latter
had gone to the south on his march of universal conquest
and how the girl unable to bear the pangs of love at the ap-
proach of bright spring made a messenger of the spring wind
which was blowing in a north-easterly direction over Bengal
and requested it to relate to the Bengal king the miserable
condition to which she was reduced owing to the love engender-
ed within her by the king. This is the kernel of the story proper
which our poet makes use of for exhibiting his power of poetic
• representation. Thus he goes on to give a description of the
प्रजागरात् खिलौभूतस्तस्याः स्वप्ने समागमः ।
Abhijñānas'akuntala VI. 22.
कष्टात् कष्टं पुनरिदमही स्वप्रसतदूती
निद्राष्यस्याः चणमपि न यन्नेव सोमानमेति ॥
Pavana. 81.
गत्युत् कम्पादलकपतितैयंत्र मन्दारपुष्प :
पत्रच्छेदैः कनककमलैः कर्णविभ्रंशिभिश्च ।
मुक्ताजालैः स्तनपरिसरच्छिन्नसूत्रैश्च हारे
शो मार्ग : सवितुरुदये सूच्यते कामिनीनाम् ॥
Megha, II. 11.
भ्राम्यन्तीनां तमसि निविड़े वल्लभाकाङ्क्षिणीनां
लाक्षारागाश्चरणगलिताः पौरसीमन्तिनोनाम् ।
रक्ताशोकस्तवक ललितै बलभानोर्मयूखे
र्नालच्यन्ते रजनिविगमे पौरमार्गेषु यत्र ॥
The story of the Pavanadūta :-
Pavana 43.
The Pavanaduta describes how a Gandharva damsel
Kuvalayavati by name living on the Malaya hills fell in love
with king Lakṣmaṇasena of Gauḍa (Bengal) when the latter
had gone to the south on his march of universal conquest
and how the girl unable to bear the pangs of love at the ap-
proach of bright spring made a messenger of the spring wind
which was blowing in a north-easterly direction over Bengal
and requested it to relate to the Bengal king the miserable
condition to which she was reduced owing to the love engender-
ed within her by the king. This is the kernel of the story proper
which our poet makes use of for exhibiting his power of poetic
• representation. Thus he goes on to give a description of the