मधुराविजयम् /85
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innumerable credible inscriptions. (Vide pages 180-184 of
Mohammadan Mahayuga under the caption IInd Harihararaya.)
In this book the poetess, has ascribed to Kamparaja most
of the facts of history attributed to Harihararaya by the inscrip-
tions. They are detailed below:--
Kamparaja was a patron of music and arts. (Sloka 13 S. 5)
and (Sloka 40 in S. 7). History establishes that he earned titles as
"साहित्यार्णव" (Ocean af poetics) and "संगीतैकनिधि" (Repository of
music) and "गानपरममाहेश्वर (Mightiest of musicians). He is
described as having several scholars and poets in his court and
having indulged in cultural and literary discussions with them.
He had a natural taste in various fine arts, a talent inborn in him,
as in the edage, "प्रपेदिरे प्राक्तनजन्मविद्याः" (See Sloka 1, S. 3).
Bukkaraja gave him along with his empire trusted
Commander and endearing ministers. (Sloka 38, S. 3).
He extended his empire and installed inscriptions at the Rama-
sethu (Adams Bridge) and at Kanchipuram (Sloka 83 in S.
and sloke 35 in S. 8). He conqured the kingdoms of Chola, Pandya
and Kerala. (30 Sloka 9 Sarga). Some descriptions indicate that
his invasions were conducted in Sarat only. (Vide Slokas 12 and
13 in S. 4). His battles were conducted in a manner to aggrieve
the Muslim women folk. (Vide Sloka 32 in Sar. 8).
He was described as a great benefactor wedded to fulfil the
needs of all like a Kalpavruksha. (Sloka 18, S. 2). He excelled
Yugandhara in statecraft (Sl. 3, 4 in S. 5). He touched the
heart-strings of his people and collected taxes in a very soft
manner. (Sloka 5. S. 5). In this sloka the word, "मृदु"
(Mrudu) reiterates in a suggestive manner, what is already
Mohammadan Mahayuga under the caption IInd Harihararaya.)
In this book the poetess, has ascribed to Kamparaja most
of the facts of history attributed to Harihararaya by the inscrip-
tions. They are detailed below:--
Kamparaja was a patron of music and arts. (Sloka 13 S. 5)
and (Sloka 40 in S. 7). History establishes that he earned titles as
"साहित्यार्णव" (Ocean af poetics) and "संगीतैकनिधि" (Repository of
music) and "गानपरममाहेश्वर (Mightiest of musicians). He is
described as having several scholars and poets in his court and
having indulged in cultural and literary discussions with them.
He had a natural taste in various fine arts, a talent inborn in him,
as in the edage, "प्रपेदिरे प्राक्तनजन्मविद्याः" (See Sloka 1, S. 3).
Bukkaraja gave him along with his empire trusted
Commander and endearing ministers. (Sloka 38, S. 3).
He extended his empire and installed inscriptions at the Rama-
sethu (Adams Bridge) and at Kanchipuram (Sloka 83 in S.
and sloke 35 in S. 8). He conqured the kingdoms of Chola, Pandya
and Kerala. (30 Sloka 9 Sarga). Some descriptions indicate that
his invasions were conducted in Sarat only. (Vide Slokas 12 and
13 in S. 4). His battles were conducted in a manner to aggrieve
the Muslim women folk. (Vide Sloka 32 in Sar. 8).
He was described as a great benefactor wedded to fulfil the
needs of all like a Kalpavruksha. (Sloka 18, S. 2). He excelled
Yugandhara in statecraft (Sl. 3, 4 in S. 5). He touched the
heart-strings of his people and collected taxes in a very soft
manner. (Sloka 5. S. 5). In this sloka the word, "मृदु"
(Mrudu) reiterates in a suggestive manner, what is already