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51
 
MADHURAVIJAYAM
 
attracted by the love of sport; and so they did not leave
the pleasure lake though its water had completely
washed away their decorative marks.
 
66. Then, at last, tired of sport, they came out;
the king started (home) with them; he then resembled
the Kalpaka Vrkṣa moving from the milky ocean in
company of water nymphs fatigued with the tossings in
churning.
 
67. The king was delighted to look at his beloved
ones as they emerged out of the lake, with nail marks
on their persons distinctly visible, with their thighs
revealed through the waving cover of wet clothing, and
water particles dripping from their long braids of hair.
 
68. King Kampaņa thought himself more fortu-
nate than even Cupid, as he feasted his eyes on the
person of his ladies between tying their hair and wear-
ing fresh dress.
 
69. Then, dressing maids put his royal garments
on him, and he left his harem; and after offering due
worship to Śiva, whose glory is sung by Vedas, attended
to duties of state for the rest of the day.
 
Thus ends the sixth canto of Virakamparāya
çaritam, called Madhurāvijayam, composed by Gangă
 
Dēvi.