हंससंदेशः /15
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<page>
<p lang="sa">13
</p>
<p lang="sa">by the change; but I am not sure whether they have not
been unconsciously influenced by the reverence which
they had for the author, as a sage and a saint. A lyric is
in its very
nature the gentler and sweeter qualities
with the entrancing beauty of
</p>
<p lang="sa">of humanity, coupled with
</p>
<p lang="sa">190
</p>
<p lang="en">NUOTA
</p>
<p lang="sa">Nature are the life-breath of such poems; and the genius.
of the poet is directly proportional to the degree of ether-
ealization of the passions and to the subtlety with which
man is made to blend with Nature. But grandeur,.
strength, terrible valour, a royal heart, these are the main
characterestics of a Dhirodatta; even his humour is grave:
and can call forth only a subdued smile. His sorrows do
not excite pity, but their violence strikes terror into the
hearts of the on-lookers. So, the doubt whether such a
hero of a pathetic poem is quite
sili lo
lo spic
one could be made the
sili lo
lo spic</p>
<p lang="sa">one could be made the
relevant.
</p>
<p lang="sa">-ola dd mor beigos
ligger e
</p>
<p lang="sa">ligger e</p>
<p lang="sa">las V
nevide
need of betobianos gnied sem si
</p>
<p lang="sa">need of betobianos gnied sem si
It may be argued that a mighty hero is not always a
hero, that, in his relaxed moments, he is quite as human
as the rest of mind; that love, pleasure and pathos are
also essential parts of his nature, though over - shadowed
by his heroism; and that therefore he can be safely made
the hero of a Sandesa poem. But it is only a Valmiki
that can make Rama an unalloyed lover or reveller in
When husband and wife stand hand in hand
drinking in the entrancing beauty of the woods in spring,
there is not a trace of gravity or heroism creeping into
the scene; they are merely passionate lovers to each
other, mere care-free children of all other Nature. But
</p>
<p lang="sa">Nature.
</p>
</page>
<p lang="sa">13
<p lang="sa">by the change; but I am not sure whether they have not
been unconsciously influenced by the reverence which
they had for the author, as a sage and a saint. A lyric is
in its very
nature the gentler and sweeter qualities
with the entrancing beauty of
<p lang="sa">of humanity, coupled with
<p lang="sa">190
<p lang="en">NUOTA
<p lang="sa">Nature are the life-breath of such poems; and the genius.
of the poet is directly proportional to the degree of ether-
ealization of the passions and to the subtlety with which
man is made to blend with Nature. But grandeur,.
strength, terrible valour, a royal heart, these are the main
characterestics of a Dhirodatta; even his humour is grave:
and can call forth only a subdued smile. His sorrows do
not excite pity, but their violence strikes terror into the
hearts of the on-lookers. So, the doubt whether such a
hero of a pathetic poem is quite
sili lo
lo spic
one could be made the
sili lo
lo spic</p>
<p lang="sa">one could be made the
relevant.
<p lang="sa">-ola dd mor beigos
ligger e
<p lang="sa">ligger e</p>
<p lang="sa">las V
nevide
need of betobianos gnied sem si
<p lang="sa">need of betobianos gnied sem si
It may be argued that a mighty hero is not always a
hero, that, in his relaxed moments, he is quite as human
as the rest of mind; that love, pleasure and pathos are
also essential parts of his nature, though over - shadowed
by his heroism; and that therefore he can be safely made
the hero of a Sandesa poem. But it is only a Valmiki
that can make Rama an unalloyed lover or reveller in
When husband and wife stand hand in hand
drinking in the entrancing beauty of the woods in spring,
there is not a trace of gravity or heroism creeping into
the scene; they are merely passionate lovers to each
other, mere care-free children of all other Nature. But
<p lang="sa">Nature.
</page>