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13
 
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<p lang="sa">
by the change; but I am not sure whether they have not

been unconsciously influenced by the reverence which

they had for the author, as a sage and a saint. A lyric is

in its very

nature the gentler and sweeter qualities

with the entrancing beauty of
 
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of humanity, coupled with
 
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190
 
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NUOTA
 
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Nature are the life-breath of such poems; and the genius.

of the poet is directly proportional to the degree of ether-

ealization of the passions and to the subtlety with which

man is made to blend with Nature. But grandeur,.

strength, terrible valour, a royal heart, these are the main

characterestics of a Dhirodatta; even his humour is grave:

and can call forth only a subdued smile. His sorrows do

not excite pity, but their violence strikes terror into the

hearts of the on-lookers. So, the doubt whether such a

hero of a pathetic poem is quite
sili lo
lo spic
 
one could be made the

sili lo
lo spic</p>
<p lang="sa">one could be made the
relevant.
 
</p>
<p lang="sa">
-ola dd mor beigos
 
ligger e
 
</p>
<p lang="sa">ligger e</p>
<p lang="sa">
las V

nevide
 
need of betobianos gnied sem si
</p>
<p lang="sa">need of betobianos gnied sem si
It may be argued that a mighty hero is not always a

hero, that, in his relaxed moments, he is quite as human

as the rest of mind; that love, pleasure and pathos are

also essential parts of his nature, though over - shadowed

by his heroism; and that therefore he can be safely made

the hero of a Sandesa poem. But it is only a Valmiki

that can make Rama an unalloyed lover or reveller in

When husband and wife stand hand in hand

drinking in the entrancing beauty of the woods in spring,

there is not a trace of gravity or heroism creeping into

the scene; they are merely passionate lovers to each

other, mere care-free children of all other Nature. But
 
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Nature.
 
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