हंससंदेशः /14
This page does not need to be proofread.
<page>
<p lang="sa">12
</p>
<p lang="sa">delivered and not only consoles the wife, but also brings
about a remission of the sentence passed against him.
The actual message occupies about twelve stanzas at the
end of the second part.
</p>
<p lang="sa">In the Hamsa Sandesa, the hero of the poem is
Rama, who bewails his separation from Sita who was
then a prisoner at Ravana''s palace in Lanka. The
messenger bird is a Royal Swan, a member of the tribe
of birds that travel southwards from the Himalayan
regions before the approach of winter. Rama entrusts it
with the message, which closely resembles the message
in the model. But the poem does not say whether it was
delivered or not; the reader has to suppose that it was
delivered. The separated lovers are brought together
again, but it is by the prowess of the hero, and not by
the pity of a master. It is but right that it should be
so, as the hero is a Dhirodatta instead of Dhiralatita,
as in the case of the Yaksha. The Yaksha was a subject,
and his separation from his wife was a punishment in-
flicted on him by his king, who alone has the right to
remit it. But Rama's separation from his wife was due
's separation from his wife was due
to her abduction by a powerful enemy, and thus her re-
covery can only be by the use of superior force.
</p>
<p lang="sa">bus But can we take it for granted that a Dhirodatta is
an improvement over a Dhiralalita, as the hero of a
Sandesa poem, which must necessarily be of the lyric type.
Many of the commentators on this poem are of opinion
that Venkatanatha has enhanced the beauty of the poem
</p>
</page>
<p lang="sa">12
<p lang="sa">delivered and not only consoles the wife, but also brings
about a remission of the sentence passed against him.
The actual message occupies about twelve stanzas at the
end of the second part.
<p lang="sa">In the Hamsa Sandesa, the hero of the poem is
Rama, who bewails his separation from Sita who was
then a prisoner at Ravana
messenger bird is a Royal Swan, a member of the tribe
of birds that travel southwards from the Himalayan
regions before the approach of winter. Rama entrusts it
with the message, which closely resembles the message
in the model. But the poem does not say whether it was
delivered or not; the reader has to suppose that it was
delivered. The separated lovers are brought together
again, but it is by the prowess of the hero, and not by
the pity of a master. It is but right that it should be
so, as the hero is a Dhirodatta instead of Dhiralatita,
as in the case of the Yaksha. The Yaksha was a subject,
and his separation from his wife was a punishment in-
flicted on him by his king, who alone has the right to
remit it. But Rama
to her abduction by a powerful enemy, and thus her re-
covery can only be by the use of superior force.
<p lang="sa">bus But can we take it for granted that a Dhirodatta is
an improvement over a Dhiralalita, as the hero of a
Sandesa poem, which must necessarily be of the lyric type.
Many of the commentators on this poem are of opinion
that Venkatanatha has enhanced the beauty of the poem
</page>