Handbook of Classical Sanskrit Rhetoric /27

Introduction
 
onya, uttara, dīpaka, parikara, parivṛtti, parisamkhyā, hetu,
ṃkhyā, hetu,
kāraṇamālā, vyatireka, sāra, sūkṣma, leśa, avasara, milita,
and ekāvaliīlita,
and ekāvalī),
 
XV
 

2. figures based on similitude (upamā, utprekṣā, rūpaka,
apahnuti, samsaya, samasokti, mata, uttara, anyokti,
pratipa, arthaṃ
apahnuti, saṃśaya, samāsokti, mata, uttara, anyokti,
pratīpa, arthāntaranyāsa, ubhayanyāsa, brāntimān, ākṣepa,

pratyanika, dṛṣṭānta, pūrva, sahokti, samuccaya, sāmya,
and smaran
and smaraṇa),
 

3. figures based on hyperbolic statement (pūrva, višeșa,
śeṣa,
utprekṣā, vibhāvanā, tadguṇa, adhika, virodha, visama,

asangati, pihita, vyāghāta, ahetu),
 

4. figures based on paronomasia (ordinary ślesṣa, ślesa
ṣa
based on contradiction, śleșṣa with peculiar meaning,

śleșṣa in conversation, hidden śleșṣa, partial śleșṣa, śleșa
ṣa
based on apparent contradiction).
 

 
Vidyānātha, in his Prataāpa-rudra-yasśobhūṣaṇa, cate-

gorises the figures of sense into 4 broad classes accord-

ing to their basic characteristics :
 

a) figures giving complete suggested sense (such as
samāsokti, parya
samāsokti, paryāyokti, ākṣepa, vyājastuti, upameyopamā,

ananvaya, atiśayokti, parikara, aprastuta-prasamsā,
and višeşśaṃsā,
and viśeṣokti),
 

b) figures based on suggestive similitude (such as

sandeha, bhräntimaāntimān, ullekha, apahnava, utprekṣā,

smaraṇa, tulyayogitā, dīpaka, prativastūpamā, dṛṣṭānta,

sahokti, vyatirek and nidarśanā),
 

c) figures suggesting some sort of sentiment or feeling

aroused through psychological conditions (such as
rasaval
rasavat , preyas etc),
 
Digitized
d) figures with implicit suggestive sense (such as
upamā, vinokti, arthāntara-nyāsa, virodha, viby
 
d) figures with implicit suggestive sense (such as
upamā, vinokti, arthāntarhāvanā,
viśeṣokt, sama, viṣama, adhika, citra, anyonya, kāraṇa-nyāsa, virodha, vibhāvanā,
višeșokt, sama, vi
mālā, ekāvalī, vyāghāta, mālā-dīpaka, kāvyalinga,
anumāna, sāra, yathāsaṃkhya, arthāpatti, paryāya,
parivṛtti, parisaṃkhyā, vikalpa, samuccaya, samādhi,
pratyanika, pratipa, viśeṣama, adhika, citra, anyonya, kāraṇa-
mālā, ekāval, mī, vyāghāta, mālā-dīpaka, kāvyalinga,
anumāna, sāra, yathāsamkhya, arthāpatti, paryāya,
pariurtti, parisamkhyā, vikalpa, samuccaya, samādhi,
pratyanika, pratipa, višeșa, mīlita, sāmānya, asangati,
 
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Original from
 
UNIVERSITY OF MICHIGAN
 
lita, sāmānya, asangati,