2023-02-15 09:59:24 by ambuda-bot
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Racană: Style
here it is implied that complete chaos has to be created in the king-
dom of the gods.
Definitions
विधिनिषेधादेरभिधानं युक्तिः । श्रृ. १०
युक्तिः पराभिसन्धानं क्रियया मर्मगुप्तये । कु. ८६.१५६
Ta Racană: Style:
The word racanã (frac anat à) literally means composition, prepara-
tion, making up, arrangement etc. The alamkāra Racana is the employ-
ment of appropriate word and meaning as well as combination of
perfect sound and sense. Like Gati this uncommon figure also
belongs to the stylistic pattern of poetry and recognised by Bhoja
only. Bhoja has given sixfold divisions of it:
(i) sabda:-racană: combination of words,
(ii)
artha-racană: combination of sound and sense,
(iii) paryaya-racană: combination of sequence,
(iv) pada-racana: combination of phrases,
(v) krama-racanã: style in pattern and
(vi) sabda-artha-racană: matching of perfect sound and sense.
From Bhoja's idea we can say that any successful poem can be
a specimen of Racană.
eg 1. adharam madhuram vadanam madhuram.
nayanam madhuram hasitam madhuram.
अधरं मधुरं वदनं मधुरं
नयनं मधुरं हसितं मधुरम् ।
Sweet are the lips, face sweet,
Sweet are the eyes, smile sweet.
133
2. nṛpābhiṣeke mada-vihvalāyā / hastācchuto hemaghato'balāyāḥ.
sopāna-marge patitaḥ karoti/tham tham. tha-tham tham
tha-tha-tham tha-tham thah.
नृपाभिषेके मदविह्वलाया / हस्ताच्चुतो हेमघटोsबलायाः ।
सोपानमार्गे पतितः करोति / ठ- ठं ठ-ठं ठं ठ-ठ-
ठं ठ- ठं ठः ॥
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Digitized by
Original from
UNIVERSITY OF MICHIGAN
here it is implied that complete chaos has to be created in the king-
dom of the gods.
Definitions
विधिनिषेधादेरभिधानं युक्तिः । श्रृ. १०
युक्तिः पराभिसन्धानं क्रियया मर्मगुप्तये । कु. ८६.१५६
Ta Racană: Style:
The word racanã (frac anat à) literally means composition, prepara-
tion, making up, arrangement etc. The alamkāra Racana is the employ-
ment of appropriate word and meaning as well as combination of
perfect sound and sense. Like Gati this uncommon figure also
belongs to the stylistic pattern of poetry and recognised by Bhoja
only. Bhoja has given sixfold divisions of it:
(i) sabda:-racană: combination of words,
(ii)
artha-racană: combination of sound and sense,
(iii) paryaya-racană: combination of sequence,
(iv) pada-racana: combination of phrases,
(v) krama-racanã: style in pattern and
(vi) sabda-artha-racană: matching of perfect sound and sense.
From Bhoja's idea we can say that any successful poem can be
a specimen of Racană.
eg 1. adharam madhuram vadanam madhuram.
nayanam madhuram hasitam madhuram.
अधरं मधुरं वदनं मधुरं
नयनं मधुरं हसितं मधुरम् ।
Sweet are the lips, face sweet,
Sweet are the eyes, smile sweet.
133
2. nṛpābhiṣeke mada-vihvalāyā / hastācchuto hemaghato'balāyāḥ.
sopāna-marge patitaḥ karoti/tham tham. tha-tham tham
tha-tha-tham tha-tham thah.
नृपाभिषेके मदविह्वलाया / हस्ताच्चुतो हेमघटोsबलायाः ।
सोपानमार्गे पतितः करोति / ठ- ठं ठ-ठं ठं ठ-ठ-
ठं ठ- ठं ठः ॥
Digitized by
Original from
UNIVERSITY OF MICHIGAN