2023-03-30 14:39:31 by ramamurthys
This page has been fully proofread once and needs a second look.
here it is implied that complete chaos has to be created in the king-
dom of the gods.
Definitions
विधिनिषेधादेरभिधानं युक्तिः । श्रृ. १०
युक्तिः पराभिसन्धानं क्रियया मर्मगुप्तये । कु. ८६.१५६
<headword>रचना</headword>
रचना Racanā : Style :
The word racanā (√rac anat ā) literally means composition, prepara-
tion, making up, arrangement etc. The alaṃkāra Racanā is the employ-
ment of appropriate word and meaning as well as combination of
perfect sound and sense. Like Gati this uncommon figure also
belongs to the stylistic pattern of poetry and recognised by Bhoja
only. Bhoja has given sixfold divisions of it:
(i) śabda:-racanā: combination of words,
(ii) artha-racanā: combination of sound and sense,
(iii) paryāya-racanā: combination of sequence,
(iv) pada-racanā: combination of phrases,
(v) krama-racanā: style in pattern and
(vi) śabda-artha-racanā: matching of perfect sound and sense.
From Bhoja's idea we can say that any successful poem can be
a specimen of Racanā.
eg 1. adharaṃ madhuraṃ vadanaṃ madhuraṃ
nayanaṃ madhuraṃ hasitaṃ madhuram
अधरं मधुरं वदनं मधुरं
नयनं मधुरं हसितं मधुरम् ।
Sweet are the lips, face sweet,
Sweet are the eyes, smile sweet.
2. nṛpābhiṣeke mada-vihvalāyā / hastāccuto hemaghaṭo'balāyāḥ.
sopāna-mārge patitaḥ karoti / ṭha-ṭhaṃ ṭha-ṭhaṃ ṭhaṃ ṭha-ṭha-ṭhaṃ ṭha-ṭhaṃ ṭhaḥ
नृपाभिषेके मदविह्वलाया / हस्ताच्चुतो हेमघटोsबलायाः ।
सोपानमार्गे पतितः करोति / ठ-ठं ठ-ठं ठं ठ-ठ-
ठं ठ-ठं ठः ॥
dom of the gods.
Definitions
विधिनिषेधादेरभिधानं युक्तिः । श्रृ. १०
<headword>रचना</headword>
रचना Racanā : Style :
The word racanā (√rac anat ā) literally means composition, prepara-
tion, making up, arrangement etc. The alaṃkāra Racanā is the employ-
ment of appropriate word and meaning as well as combination of
perfect sound and sense. Like Gati this uncommon figure also
belongs to the stylistic pattern of poetry and recognised by Bhoja
only. Bhoja has given sixfold divisions of it:
(i) śabda:-racanā: combination of words,
(ii) artha-racanā: combination of sound and sense,
(iii) paryāya-racanā: combination of sequence,
(iv) pada-racanā: combination of phrases,
(v) krama-racanā: style in pattern and
(vi) śabda-artha-racanā: matching of perfect sound and sense.
From Bhoja's idea we can say that any successful poem can be
a specimen of Racanā.
eg 1. adharaṃ madhuraṃ vadanaṃ madhuraṃ
nayanaṃ madhuraṃ hasitaṃ madhuram
नयनं मधुरं हसितं मधुरम् ।
Sweet are the eyes, smile sweet.
2. nṛpābhiṣeke mada-vihvalāyā / hastāccuto hemaghaṭo'balāyāḥ.
sopāna-mārge patitaḥ karoti / ṭha-ṭhaṃ ṭha-ṭhaṃ ṭhaṃ ṭha-ṭha-ṭhaṃ ṭha-ṭhaṃ ṭhaḥ
नृपाभिषेके मदविह्वलाया / हस्ताच्चुतो हेमघटोsबलायाः ।
सोपानमार्गे पतितः करोति / ठ-ठं ठ-ठं ठं ठ-ठ-
ठं ठ-ठं ठः ॥