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A Handbook of Classical Sanskrit Rhetoric
 
speech while Viśvanātha and his followers accepted both
Arthantaranyāsa and Kavyalinga along with Hetu.
 
eg 1. jito'si manda-kandarpa / maccite'sti trilocanah.
जितोऽसि मन्दकन्दर्पं / मच्चिऽस्ति त्रिलोचनः ।
 
O you evil-intended Cupid! vanquished thou art
Because I have Lord Siva in my heart.
 
Definitions
 
श्रुतमेकं यदन्यत्र स्मृतेरनुभवस्य वा ।
हेतुतां प्रतिपद्यते काव्यलिङ्गं तदुच्यते ॥ अ. सं. ६
काव्यलिङ्गं हेतोर्वाक्यपदार्थता । का. प्र. १०.१७४
स्यात् काव्यलिङ्गं वागर्थो नूतनार्थसमर्थकः । च. ५.३८
वाक्यार्थो यदि हेतुर्भवति पदार्थो विशेषणद्वारा ।
द्विविधं कथयन्ति तदलंकारं काव्यलिङ्गमिति ॥ ए. ८.४६
हेतोर्वाक्यपदार्थत्वे काव्यलिङ्गमुदाहृतम् । प्र. य. ४४८
समर्थनीयस्यार्थस्य काव्यलिङ्गं समर्थनम् । कु. ६०.१२१
 
क्रम: Kramah : Succession :
 
The word krama (√kram ac) dennotes order, sequence or succession.
As a figure of speech it exhibits some kind of comparison in succes-
sion or in an orderly manner through words or meaning which
becomes poetically charming. When some objects or things,
desired or undesired, under consideration are compared to other
objects or things successively, the alamkāra is styled krama. But
Bhoja's defenition of krama is different from the previous one.
According to him, perfect arrangement of word and meaning is
Krama. It is threefold:
 
(i) proper arrangement of words,
(ii) of meaning and
 
(iii) of both word and meaning.
 
eg 1. tasyāh pravrddha-ilābhir ālāpasmita-drstibhih
jīyate vallaki-kunda-srag-indivara-sampadah.
 
तस्याः प्रवृद्धलीलाभिरालापस्मितदृष्टिभिः ।
जीयते वल्लकी - कुन्द - स्रगिन्दीवरसम्पदः ॥
 
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UNIVERSITY OF MICHIGAN