2023-03-29 18:11:14 by ambuda-bot
This page has not been fully proofread.
GLOSSARY
329
brings pleasant change to all, swaying the buds of the bursting
sandal trees"). (4) "Here lies the body of Mary Ann Lowder, / She
burst while drinking a seidlitz powder" (Anon.). (5) Cf. nivṛtti
(diminution); these are the two types of nirvṛtya 'transformation"),
which is, in turn, a sub-variety of käraka hetu (see hetu).
kāraka, 'productive': (1) a type of hetu wherein the effect described has
the form of a work or thing. (2) D 2.235. (3) See under upabrhana,
nivṛtti, vikārya, or prapya. (4) "There was a young belle of old
Natchez / Whose garments were always in patchez. / When comment
arose / On the state of her clothes, / She drawled, 'When Ah itchez,
Ah scratchez"" (Ogden Nash). (5) The two principal subspecies
of hetu are this and jñāpaka, wherein the effect is knowledge; for
example: "The Grizzley Bear is huge and wild / He has devoured
the infant child. / The infant child is not aware / He has been eaten
by the bear" (A. E. Housman). Aristotle's two orders are meant.
kāryânantaraja, '(cause) produced after the effect': (1) a type of hetu
in which the order of cause and effect is reversed. (2) D 2.253 (257).
(3) paścăt paryasya kiraṇān udirnam candramandalam prāg eva
hariņākṣīņām udīrṇo rāgasāgaraḥ (Dandin; first came woman's
passion, then the moon: "Last arose the moon's full orb, scattering
its rays, but first of all, the passion-ocean of young women, doe
eyed"). (4) "For the leaf came / Alone and shining in the empty
room; / After a while the twig shot downward from it; / And from
the twig a bough; and then the trunk, / Massive and coarse; and
last the one black root. / The black root cracked the walls
(Conrad Aiken). (5) This is the third term in the trilogy dūrakārya
(effect produced long after cause), tatsahaja (produced simultane-
ously), kāryānantaraja (effect produced before the cause). Compare
pūrva, which is the same as kāryânantaraja except that the end of
the inversion need not be exaggeration of a quality. In Aiken's
example, the exaggeration is used simply to assert an introspective
mood.
**
jñāpaka, 'causing to know': (1) a type of hetu in which the effect has the
form of an idea or of information learned. (2) D 2.235 (244-45).
(3) gato stam arko bhátindur yānti väsaya pakşinaḥ । itidam api
sādhv eva kālâvasthānivedane (Dandin: "The sun has set, the moon
smiles down, the birds have gone to rest; this is enough to tell the
time of day"). (4) "Roy's club was sedate. In the ante-chamber
were only an ancient porter and a page; and I had a sudden and
melancholy feeling that the members were all attending the funeral
329
brings pleasant change to all, swaying the buds of the bursting
sandal trees"). (4) "Here lies the body of Mary Ann Lowder, / She
burst while drinking a seidlitz powder" (Anon.). (5) Cf. nivṛtti
(diminution); these are the two types of nirvṛtya 'transformation"),
which is, in turn, a sub-variety of käraka hetu (see hetu).
kāraka, 'productive': (1) a type of hetu wherein the effect described has
the form of a work or thing. (2) D 2.235. (3) See under upabrhana,
nivṛtti, vikārya, or prapya. (4) "There was a young belle of old
Natchez / Whose garments were always in patchez. / When comment
arose / On the state of her clothes, / She drawled, 'When Ah itchez,
Ah scratchez"" (Ogden Nash). (5) The two principal subspecies
of hetu are this and jñāpaka, wherein the effect is knowledge; for
example: "The Grizzley Bear is huge and wild / He has devoured
the infant child. / The infant child is not aware / He has been eaten
by the bear" (A. E. Housman). Aristotle's two orders are meant.
kāryânantaraja, '(cause) produced after the effect': (1) a type of hetu
in which the order of cause and effect is reversed. (2) D 2.253 (257).
(3) paścăt paryasya kiraṇān udirnam candramandalam prāg eva
hariņākṣīņām udīrṇo rāgasāgaraḥ (Dandin; first came woman's
passion, then the moon: "Last arose the moon's full orb, scattering
its rays, but first of all, the passion-ocean of young women, doe
eyed"). (4) "For the leaf came / Alone and shining in the empty
room; / After a while the twig shot downward from it; / And from
the twig a bough; and then the trunk, / Massive and coarse; and
last the one black root. / The black root cracked the walls
(Conrad Aiken). (5) This is the third term in the trilogy dūrakārya
(effect produced long after cause), tatsahaja (produced simultane-
ously), kāryānantaraja (effect produced before the cause). Compare
pūrva, which is the same as kāryânantaraja except that the end of
the inversion need not be exaggeration of a quality. In Aiken's
example, the exaggeration is used simply to assert an introspective
mood.
**
jñāpaka, 'causing to know': (1) a type of hetu in which the effect has the
form of an idea or of information learned. (2) D 2.235 (244-45).
(3) gato stam arko bhátindur yānti väsaya pakşinaḥ । itidam api
sādhv eva kālâvasthānivedane (Dandin: "The sun has set, the moon
smiles down, the birds have gone to rest; this is enough to tell the
time of day"). (4) "Roy's club was sedate. In the ante-chamber
were only an ancient porter and a page; and I had a sudden and
melancholy feeling that the members were all attending the funeral