2023-03-29 18:10:40 by ambuda-bot
This page has not been fully proofread.
226
GLOSSARY
heart would not be delighted by the army of young women, langorous,
trepid, with gay navels-indeed the great weapon of the Love God?").
(4) The form is: xA Ax xx xx. (5) Cf. vyasta, samasta.
ardhaparivṛtti, 'alternation by halves': (1) a type of yamaka consisting of
a samasta plus an adyanta yamaka. (2) R 3.34 (35). (3) sasāra
sākam darpeṇa kamdarpeṇa sasārasă । śarannavānā bibhrāṇā nāvi-
bhrāṇā śaram navā (Rudrața: "The autumn now appears, replete with
ducks and the proud God of Love, her new cart bearing grass to
the accompaniment of the chirpings of birds"). (4) The form is:
AB BA CD DC. (5) The samasta yamaka accounts for the internal
repetition (BB, DD), the adyanta for the enveloping repetition (A..A
C..C).
avyapeta, 'uninterrupted': (1) a type of yamaka in which the repeated
sequences are contiguous. (2) D 3.1 (4-18), AP 343.12. (3) ramaṇī
ramaṇīyā me pāṭalâpāṭalâmśukā । vāruṇîvâruṇībhūtasaurabhā saura-
bhâspadam (Dandin: "My beloved is lovely as the western sky
illuminated by the setting sun, her gown flecked with pink and sweet
smelling"). (4) The form, for this example only, is: AAx BBx CCx
DDx. (5) Cf. vyapeta yamaka.
ādi, "beginning': (1) see pădâdi.
ādimadhya, 'initial-mid': (1) a type of yamaka in which the repeated
elements are the first and second third of each päda. (2) R 3.52
(53). (3) sa rane saraṇena nrpo balitävalitârijanaḥ । padam āpa damāt
svamater ucitam rucitam ca nijam (Rudrața: "The King, whose
enemies were enveloped by his strength, attained that station in
battle by means of his vehicle and through his self-restraint which
was appropriate in his own view and pleasant"). (4) The form is:
AAx BBx CCx DDx. (5) Compare adyanta, type (b), and madhyânta.
Only Rudraţa divides the pāda into thirds for purposes of defining
the scope of yamaka.
ädyanta, 'initial-final': (1) a type of yamaka in which the repeated
elements are: (a) the first half of the preceding pāda and the last
half of the following pāda, (b) the first and last third of each pāda,
(c) the first and last quarter of each pāda, or (d) the first and last
half of each päda. (2) R 3.32, 3.50 (54), 3.44 (46), M 118 (365). (3)
dīnā dūnavişādīnā śarapāditabhisarā senā tena parāse nā raņe
pumjivitêrane (Rudrata; type (c) is illustrated: "Oh man, the army,
afflicted, whose leader was desperate and in whom the wound
of fear was produced by showers of arrows, was defeated by him
in a battle which excited the lives of men"). (4) The form is: AxxA
GLOSSARY
heart would not be delighted by the army of young women, langorous,
trepid, with gay navels-indeed the great weapon of the Love God?").
(4) The form is: xA Ax xx xx. (5) Cf. vyasta, samasta.
ardhaparivṛtti, 'alternation by halves': (1) a type of yamaka consisting of
a samasta plus an adyanta yamaka. (2) R 3.34 (35). (3) sasāra
sākam darpeṇa kamdarpeṇa sasārasă । śarannavānā bibhrāṇā nāvi-
bhrāṇā śaram navā (Rudrața: "The autumn now appears, replete with
ducks and the proud God of Love, her new cart bearing grass to
the accompaniment of the chirpings of birds"). (4) The form is:
AB BA CD DC. (5) The samasta yamaka accounts for the internal
repetition (BB, DD), the adyanta for the enveloping repetition (A..A
C..C).
avyapeta, 'uninterrupted': (1) a type of yamaka in which the repeated
sequences are contiguous. (2) D 3.1 (4-18), AP 343.12. (3) ramaṇī
ramaṇīyā me pāṭalâpāṭalâmśukā । vāruṇîvâruṇībhūtasaurabhā saura-
bhâspadam (Dandin: "My beloved is lovely as the western sky
illuminated by the setting sun, her gown flecked with pink and sweet
smelling"). (4) The form, for this example only, is: AAx BBx CCx
DDx. (5) Cf. vyapeta yamaka.
ādi, "beginning': (1) see pădâdi.
ādimadhya, 'initial-mid': (1) a type of yamaka in which the repeated
elements are the first and second third of each päda. (2) R 3.52
(53). (3) sa rane saraṇena nrpo balitävalitârijanaḥ । padam āpa damāt
svamater ucitam rucitam ca nijam (Rudrața: "The King, whose
enemies were enveloped by his strength, attained that station in
battle by means of his vehicle and through his self-restraint which
was appropriate in his own view and pleasant"). (4) The form is:
AAx BBx CCx DDx. (5) Compare adyanta, type (b), and madhyânta.
Only Rudraţa divides the pāda into thirds for purposes of defining
the scope of yamaka.
ädyanta, 'initial-final': (1) a type of yamaka in which the repeated
elements are: (a) the first half of the preceding pāda and the last
half of the following pāda, (b) the first and last third of each pāda,
(c) the first and last quarter of each pāda, or (d) the first and last
half of each päda. (2) R 3.32, 3.50 (54), 3.44 (46), M 118 (365). (3)
dīnā dūnavişādīnā śarapāditabhisarā senā tena parāse nā raņe
pumjivitêrane (Rudrata; type (c) is illustrated: "Oh man, the army,
afflicted, whose leader was desperate and in whom the wound
of fear was produced by showers of arrows, was defeated by him
in a battle which excited the lives of men"). (4) The form is: AxxA