2023-03-08 15:37:22 by lakshmichalla
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  xiv                    AVANTISUNDARĪ KĀTHĀ SĀRA
  
  
  
   
  
  
  
  
  
  
  
   
  
  
  
In his work, Dandin gives an account of himself and his
  
  
  
  ṇḍin gives an account of himself and his
  
  
  
forebears. In his younger days, when Kañchi was invaded by
  
  
  
  
  
  
  
enemies he left the city and roamed about from one country to
  
  
  
  
  
  
  
another. This incident must have afforded him opportunities
  
  
  
of coming into contact with several sorts of people and of
  
  
  
  
of coming into contact with several sorts of people and of
observing at first hand different sides of life, which are vividly
  
  
  
  
  
  
  
exhibited in his work. He was a votary of Viṣṇu and obtain-
  
  
  
  
  
  
  
ed inspiration from Him for writing his work.
  
  
  
   His concep-
  
  
  
  
  
  
  
tion of mokṣa is the enjoyment of the highest bliss in the
  
  
  
  
  
  
  
presence of the God.[^¹]. He was a court-poet of a Pallava king;
  
  
  
  
  
  
  
and Dāmodara, his great-grandfather and an associate of poet
  
  
  
  
  
  
  
Bhaāravi, was patronised by Vişnuvardhana, Ganga Durvinīta
  
  
  
and Pallava Simhaviṣṇuvardhana, Gaṅga Durvinīta
  
  
  
and Pallava Siṁhaviṣṇu. The three kings of these three
  
  
  
  
  
  
  
same names are also known from inscriptions as rulers of
  
  
  
  
  
  
  
various provinces of the Deccan in the beginning of the 7th
  
  
  
  
  
  
  
century A.D. Bhāravi mentioned by Dandin as a great poet
  
  
  
and sṇḍin as a great poet
  
  
  
and śaivite was the same as the author of Kirātārjunīya, the
  
  
  
s
  
  
  
śaivaite poet referred to in the Aihole inscription of 636 A.D.
  
  
  
  
  
  
  
Dandṇḍin, the fourth descendant of Damodara, may be assigned
  
  
  
  
  
  
  
to the early part of the 8th century A.D. He was familiar
  
  
  
  
  
  
  
with Bāṇa's Kādambarī which must have by this time attained
  
  
  
  
  
  
  
wide celebrity.
  
  
  
   
  
  
  
  
  
  
  
   
  
  
  
The texiv
  
  
  
   
  
  
  
Thet of the Kathāsāra presented in the following
  
  
  
pages is based on the collation of two manuscripts (क, ख) and
the printed textof the Kathāsāra presented in the following
  
  
  
pages is based on the collation of two manuscripts(,) and
  
  
  
the printed text (T ग ) issued in 1924. One of the manuscripts
  
  
  
  
  
  
  
( क ) was obtained from Travancore; it is written in Malayalam
  
  
  
  
  
  
  
characters on palm leaves and is fairly correct but contains
  
  
  
  
  
  
  
gaps at the end. The other, ( ख ) is a Devanagari transcript
  
  
  
  
  
  
  
belonging to Dr. V. Raghavan copied from an original palm-
  
  
  
  
  
  
  
leaf manuscript with Dr. C. Kunhan Raja. This manuscript
  
  
  
  
  
  
  
is of the same extent as the printed text; it begins with a
  
  
  
  
  
  
  
table of contents in prose for the first chapter and contains
  
  
  
  
  
  
  
good variants. The text appeared in the Journal of Oriental
  
  
  
  
  
  
  
Research, Madras, as its supplement, in Vols. XIV-XIX. It is
  
  
  
  
  
  
  
now issued in book form with an Introduction and a summary
  
  
  
  
  
  
  
of Contents. The Kathāsāra is at times very brief; to make
  
  
  
  
  
  
  
the summary more informative, I have drawn from Dandṇḍin's
  
  
  
original avan
  
  
  
original Avantisundarī wherever necessary. I express my
  
  
  
  
  
  
  
indebtedness to Dr. V. Raghavan for placing his manuscript
  
  
  
   
  
  
  
  
  
  
  
   
  
  
  
[^1]. Av. P. 154.
  
  
  
   
  
  
  
4
   
  
  
  
  
  
  
  
   
  
  
  
   
  
  
  
  
In his work, Da
forebears. In his younger days, when Kañchi was invaded by
enemies he left the city and roamed about from one country to
another. This incident must have afforded him opportunities
of coming into contact with several sorts of people and of
of coming into contact with several sorts of people and of
observing at first hand different sides of life, which are vividly
exhibited in his work. He was a votary of Viṣṇu and obtain-
ed inspiration from Him for writing his work.
tion of mokṣa is the enjoyment of the highest bliss in the
presence of the God
and Dāmodara, his great-grandfather and an associate of poet
Bh
and Pallava Simhavi
and Pallava Siṁhaviṣṇu. The three kings of these three
same names are also known from inscriptions as rulers of
various provinces of the Deccan in the beginning of the 7th
century A.D. Bhāravi mentioned by Da
and s
and śaivite was the same as the author of Kirātārjunīya, the
s
śaivaite poet referred to in the Aihole inscription of 636 A.D.
Da
to the early part of the 8th century A.D. He was familiar
with Bāṇa's Kādambarī which must have by this time attained
wide celebrity.
The tex
The
pages is based on the collation of two manuscripts (क, ख) and
the printed text
pages is based on the collation of two manuscripts
the printed text (T
( क ) was obtained from Travancore; it is written in Malayalam
characters on palm leaves and is fairly correct but contains
gaps at the end. The other, ( ख ) is a Devanagari transcript
belonging to Dr. V. Raghavan copied from an original palm-
leaf manuscript with Dr. C. Kunhan Raja. This manuscript
is of the same extent as the printed text; it begins with a
table of contents in prose for the first chapter and contains
good variants. The text appeared in the Journal of Oriental
Research, Madras, as its supplement, in Vols. XIV-XIX. It is
now issued in book form with an Introduction and a summary
of Contents. The Kathāsāra is at times very brief; to make
the summary more informative, I have drawn from Da
original avan
original Avantisundarī wherever necessary. I express my
indebtedness to Dr. V. Raghavan for placing his manuscript
[^1]. Av. P. 154.
4